Submitted by Prairie Schooner on Sat, 03/24/2012 - 10:10
FEATURING!
Denise Duhamel's stunning long poem paralleling the narrator's relationship with that of Barack and Michelle...
Polly Rosenwaike's story of Mother's Day ambivalence (seasonally appropriate!)...
Martha Silano's advice for museum-goers...
love poems...
Kuno Raeber in translation...
...and so much more!
RANDOM TEASERS:
"I aimed and fired, not / expecting anything to happen, / but a winged shadow fell / to the forest floor."
"He sprang at me like a lynx or an ocelot or some other small, wild cat that regional zoos can afford."
"She pours decaffeinated crystals and steaming water into a cup, adds two tablets of saccharine and a splash of Irish courage, as she calls it, then sits at the table and sips and waits for the evening to begin."
Submitted by Prairie Schooner on Wed, 03/21/2012 - 10:07
PS Web Editor Theodore Wheeler interviews the accomplished prose stylist about judgmental sisters, the importance of solitude to writers, and other topics.
Submitted by Prairie Schooner on Mon, 03/19/2012 - 10:09
This is the first in a series of blog posts by guest contributor Nabina Das. Born and brought up in Guwahati, Assam, India, Nabina has a novel titled Footprints in the Bajra (Cedar Books, Delhi) and an MFA from Rutgers University. Winner of several writing residencies and national poetry prizes, Nabina’s poem has been included in the Nagaland Secondary Board of Education syllabus. A 2007 Joan Jakobson (Wesleyan) and 2007 Julio Lobo (Lesley) fiction scholar, she has worked in journalism and media for about 10 years, trained in North Indian classical music and folk songs, and performed in radio/TV programs. Nabina lectures in classrooms/workshops, designs brochures and poetry post cards, and blogs at http://nabinadas13.wordpress.com/. She loves reading (never call it teaching) poetry and doing street theater with children.
Submitted by Prairie Schooner on Fri, 03/16/2012 - 11:01
Part II
This is the fourth installment of an ongoing series written for the blog by Peter Rorvik. Peter is the Director of the Centre for Creative Arts at the University of KwaZulu-Natal, as well as Director of the Durban International Film Festival.
Submitted by Prairie Schooner on Thu, 03/15/2012 - 13:57
Part I
This is the fourth installment of an ongoing series written for the blog by Peter Rorvik. Peter is the Director of the Centre for Creative Arts at the University of KwaZulu-Natal, as well as Director of the Durban International Film Festival.
The International Film Festival of Rotterdam (IFFR) is a cool festival. This is not to say it is a hip, little niche festival. Far from it. IFFR is huge, probably the largest cultural event in the Netherlands, attracting attendance of over 274,000. It is different from the other major festivals in Europe such as Cannes, Berlin and Venice, because despite its size and prominence, there is no red carpet here, and the star-driven media frenzy is refreshingly absent. With lots of great films - 550 to choose from - IFFR has a very business-like attitude.
Submitted by Prairie Schooner on Tue, 03/13/2012 - 14:06
This is the first in a series of guest posts by Hali Sofala and Eric Jones on the connections between video games and the literary.
The game is simple. All you do is pull back the bird, loaded gormlessly into a giant slingshot. The strain of the digital sling creaks until you’ve built up a quiet momentum. Then, let go.
The bird smacks into a heavy carton of wood and bricks, hopefully moving through and smashing into a green pea-sized pig that erupts deliciously into a plume of smoke. This is all that the game is. And, to a varying extent, all any video game is: a set of digital parameters voluntarily adhered to for enjoyment. But as those parameters widen, they exert a peculiar influence on the literary landscape.
Submitted by Prairie Schooner on Fri, 03/09/2012 - 17:46
To accompany Air Schooner's new Super Tuesday podcast focusing on politics and the American literary landscape and featuring interviews with Nikki Giovanni and Cynthia Hogue, PS senior reader Bob Fuglei interviewed Charles Baxter, author of The Feast of Love, Saul and Patsy, and Shadow Play, among many other novels, story collections, and works of criticism and craft commentary. Fuglei and Baxter discuss the influence of figures such as Nixon, Bachmann, and Gingrich on contemporary literary discourse, as well as question of politics and the MFA.*
Submitted by Prairie Schooner on Thu, 03/08/2012 - 09:24
As part of her two week long visit to the UNL campus, acclaimed writer ZZ Packer gave a craft talk yesterday on “Voice in Fiction.” Mobilizing several examples across the literary canon from Huckleberry Finn to White Teeth, Packer discussed what makes a work of fiction “highly voiced” (all fictions have voice, Packer said—the level of transparency of that voice is what differs across novels). Highly-voiced narrators, Packer said, de-familiarize our world, making us “recalibrate our assumptions” garnered from previous narratives. These narratives are inter-textual commentaries of sorts, questioning the prior written word, turning away from the standard truth, and perverting “noble” texts. Packer illuminated the way highly voiced narratives give rise to their own particular truth, moving us away from a strictly craft-based definition of voice and toward a more expansive understanding of the implications of this authorial choice.
Award-winning writer Jaylan Salah is a poet, translator, content expert, and film critic.Workstation Bluesis a collection from the cubicle for white-collar workers worldwide passing the ti