Endowed in perpetuity by the Glenna Luschei Fund for Excellence

Prairie Schooner and Pseudonyms

by Kwame Dawes

Prairie Schooner will not publish work by Yi-Fen Chou, or any other known pseudonym used by the poet Michael Derrick Hudson. The editors at Prairie Schooner were not aware that "Yi-Fen Chou" was a pseudonym for Michael Derrick Hudson when we published his work under the name Yi-Fen Chou, but once Prairie Schooner became aware of the actual identity of the poet a few months ago, Prairie Schooner confirmed the facts with Michael Derrick Hudson and has taken the position that the circumstances and rationale guiding Hudson's use of a pseudonym would not warrant our publication of his future work under such a pseudonym. In principle, Prairie Schooner has no objections to the use of pseudonyms, but we require disclosure of their use to the editor before publication. For the record, Prairie Schooner first published work by "Yi-Fen Chou” in 2009.

Alberta Clipper 9/1/15: “Art and Craft” by Diana O’Hehir

by Summer Bethune

Eighteen years ago on September 1st, the whole world appalled at the news that Diana, Princess of Wales, a well-loved British icon celebrated for her charity work, had been killed in a car accident. Investigations revealed that the driver, Henri Paul, was drunk and speeding at close to 120 mph when the accident occurred in the Place d’Alma underpass in Paris, France.

That day in Lincoln, the temperatures remained comfortably between 66 and 84 degrees. Until that evening when scant thunderstorms began around 10 p.m. and the sky cried down upon the city, perhaps in mourning with the rest of the world.

Briefly Noted - August 26, 2015

Quick-to-Read Reviews

Reviews in brief from the staff of Prairie Schooner and associates.

Vol. 4 Issue 3. August 26, 2015. Ed. Paul Clark.

The Stranger's Child by Alan Hollinghurst | Reviewed by Dirk van Nouhuys Hemingway on a Bike by Eric Freeze | Reviewed by Ryan Borchers Bird from Africa by Viola Allo | Reviewed by Ryler Dustin

Jürgen Becker: An Introduction

by Okla Elliott

Jürgen Becker was born in Köln, Germany, in 1932. He is the author of over thirty books—including drama, fiction, and poetry—all published by Suhrkamp,  Germany’s premier publisher. He has won numerous prizes, including the Heinrich Böll Prize, the Uwe Johnson Prize, the Hermann Lenz Prize, and the Georg Büchner Prize, the highest honor a German-language author can receive.

Alberta Clipper 8/18/15: “The Telephone of the Dead” by Goldie Goldbloom

By: Kara Cosentino

August 18, 1955, Hurricane Diane (not to be confused with Diana) ravaged Wilmington, North Carolina, killing 184 people, destroying 813 homes and damaging over 4,000 others, and leaving $754 million worth of damage in its wake. The effects of this terrible weather battering the east coast didn’t reach as far as Lincoln, Nebraska, where August 18th was a scorching hot day, at 97 degrees. Fifty-five years later, The Telephone of the Dead by Goldie Goldbloom appeared in Prairie Schooner. The story follows a woman who loses her husband in a horrible lightening storm and the husband who refuses to let his memory be forgotten. –Kara Cosentino

Women and the Global Imagination: The Center of the Universe

by Nancy Jooyoun Kim

In our Winter 2014 issue Alicia Ostriker curated a poetry portfolio on Women and the Global Imagination, and we were so struck by its contents that we wanted to keep the dialog surronding this theme going on our blog. In her essay, Nancy Jooyoun Kim explores the experience of being a writer who is often derided by peers for not being universal enough. We hope you enjoy reading. To read more on this theme, visit our blog and buy or Winter 2014 issue (print or ebook).

Alberta Clipper: 7/7/15: “Intermediary” by Pattiann Rogers

July 7, 1983, in Lincoln was a scorcher. Temperatures reached 91° Fahrenheit; the month would go on to reach a high of 106°. But while the weather was warm, the political atmosphere was frigid: The United States and the Soviet Union were locked in the middle of the Cold War. Tensions on both sides were incredibly high and the drastic seemed possible. Within this climate, ten-year-old Samantha Smith wrote a letter to the Soviet Union's newly appointed leader, Yuri Andropov, seeking to understand the conflict. Her letter read:

Dear Mr. Andropov,

Alberta Clipper: 6/30/15: “Shifting Winds” by James C. Kilgore

June 30th, 1936, marks the publication date of Margaret Mitchell’s Gone With The Wind. Although today its reception is mixed—some still love it, while others find its controversial aspects more than troubling—it remains historically important, and if nothing else, it shows us the headway we’ve made as a society. “Shifting Winds” by James C. Kilgore appeared in the summer issue of Prairie Schooner in 1969, with the weather in Nebraska not surprisingly heating up. June saw highs of 99 degrees Fahrenheit. James C. Kilgore (1928-1988), a poet and essayist, worked in the English Department at Cuyahoga Community College in Cleveland, Ohio where he was extremely active in founding new and diverse writing associations in and around the Cleveland metro area. He published several works throughout his life, and was named Ohio Poet of the Year in 1982.

"Nonfiction is the most intimate space": An Interview with Rigoberto Gonzalez

by Sarah Fawn Montgomery

Below is an interview with the judge of our Summer Creative Nonfiction Contest, Rigoberto Gonzalez. We're accepting submissions through August 1st, looking for all types of creative nonfiction essays, up to 5,000 words. Winner receives $250 and publication in our Spring issue. Click here to submit.

1. You write and publish in a variety of genres—poetry, fiction, nonfiction, children’s literature—so what is it about the genre of nonfiction that speaks to you? What does the genre offer you as a writer? As a reader, teacher, human?

Women and the Global Imagination: Unveiling of Self

by Sholeh Wolpé

In our Winter 2014 issue Alicia Ostriker curated a poetry portfolio on Women and the Global Imagination, and we were so struck by its contents that we wanted to keep the dialog surronding this theme going on our blog. In her essay, Sholeh Wolpé examines the work of Iranian woman poets who have used transgression to push up against the boundaries their culture had placed on writing by women. We hope you enjoy reading. To read more on this theme, visit our store and buy or Winter 2014 issue (print or ebook), or become a subscriber to Prairie Schooner today.


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