Call Me Ahab
Winner of the 2008 Book Prize in Fiction
About the Book
Imagine a Hollywood encounter between Helen Keller and Frida Kahlo, “two female icons of disability.” Or the story of “Moby Dick, or, The Leg,” told from Ahab’s perspective. What if Vincent Van Gogh resided in a twentieth-century New York hotel, surviving on food stamps and direct communications with God? Or if the dwarf pictured in a seventeenth-century painting by Velazquez should tell her story? And, finally, imagine the encounter between David and Goliath from the Philistine’s point of view. These are the characters who people history and myth as counterpoints to the “normal.” And they are also the characters who populate Anne Finger’s remarkable short stories. Affecting but never sentimental, ironic but never cynical, these wonderfully rich and comic tales reimagine life beyond the margins of “normality.”
Extract
You can read an excerpt from Call Me Ahab on the University of Nebraska Press website here.
Praise
“In this marvelously original collection, Finger explores the nature and function of legendary outcasts, from Goliath, initially ridiculed for his giantism before he became a savior of the Philistines, to Vincent Van Gogh, tortured madman and impoverished artist caught in a bureaucratic vacuum as he waits for his Social Security benefits. . . . Brisk, inventive and intelligent, these stories do their own thing, and do it well.”—Publishers Weekly
“Anne Finger’s award-winning Call Me Ahab showcases a plethora of historical and literary characters—each of whom is in some way disabled—and imagines new scenarios for their lives. . . . It is a cheering section for the forgotten and under-appreciated and a testament to creativity, whimsy, and intellect.”—Eleanor J. Bader, Feminist Review
“Finger’s unabashedly bold tales creatively reimagine outcasts real and invented.”—Leah Strauss, Booklist “Finger is a talented storyteller, delivering voices and situations with smooth conviction. The scenes she creates jump time and place without jarring the reader. . . . Finger has strength in her storytelling, and hopefully that strength will reach a wide audience.”—Amy Halloran, themillions.com
“A fascinating glimpse into the varieties of human difference.”—Ben Hamilton, PopMatters.com “Refusing to smooth over the idiosyncrasies of history and human life, she has, instead, successfully written her text with them.”—Alyssa Pelish, Rain Taxi