On a Lovefeast of Yesterdays

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No word for the scent, we say, on a road of dips
on our way to the sweetest spot in the foothills
where we ate spice cookies, airy, crisp as autumn
with cakes baked right next to the blacksmiths,
a hedge-maze by a church with an acre cemetery—
none of it tasted bitter, rather, sweet without smoke
swirling in our lungs, without honey-laced beeswax,
nor the rolled cigars lying asleep in their boxes
for shipment, nor barrels of molasses, nor hickory,
not tar or nougat or malt whiskey, not gingersnaps
or chocolate chess pie or black sugar. We relish
a lovefeast of yesterdays, pin up elusive syllables of
fragrance wafting through avenues in search of
loaves or leaves cured in bakeshops, the houses
of shivering air elusive as an aroma of nostalgia—
mulching a ferny floor in the hills, a festive crush of
tobacco drying with a brisk sweetness of angels
observing us with eyes on a world where the name
             of a thing is not the thing itself.

Karen An-hwei Lee is the author of The Beautiful Immunity (Tupelo Press, distr. University of Chicago, 2024), Duress (Cascade Books, Poiema Series, 2022), Rose is a Verb: Neo-Georgics (W&S/Slant, 2021), Phyla of Joy (Tupelo Press, 2012), Ardor (Tupelo Press, 2008), a July Open selection, and In Medias Res (Sarabande Books, 2004), winner of the Kathryn A. Morton Prize selected by Heather McHugh and the Norma Farber First Book Award chosen by Cole Swensen for the Poetry Society of America. Her poem, “Dear Millennium, Inadequate Witness,” was featured on Poem-a-Day by the Academy of American Poets. Here seventh collection, Awake: A Vigil, or an Instance of Human is forthcoming from Tupelo Press.